Wednesday, June 28, 2017

If you like metalcore band Converge check out Filipino band, Sauna


Metalcore band Converge released "Jane Doe" in 2004 and it was met with immediate critical acclaim and a subsequent commercial success. It has since been named as one of the most important heavy music albums ever. Converge was a metalcore pioneer and this album paved the way for many bands including the Philippines' own Sauna (see the picture below) who released "Deeper It Goes" in 2008. The influence is clear not only in the music but even in the album art. and it is a must have too. More so as the band has already called it quits.

Check out Pizzacoi that is the heir to Sauna.


Tuesday, June 27, 2017

Six Filipino bands in Singapore you should check out Part 1



Six Filipino bands in Singapore 
you should check out Part 1
by rick olivares

In recent articles, we featured some Filipino bands who are either performing abroad or who have been signed by foreign labels. There’s Narcloudia, that shoegaze/dream pop band out of Singapore that is fronted by former Sugar Hiccup lead singer Bea Alcala, Singaporean thrash metal band Tormentress that features a Filipina lead guitarist in Gwen CaƱete, and Quezon City-based outfit Dreaded Mortuary that was signed by Japan’s Rock Stakk Records and who were invited to perform in the True Thrash fest in Osaka twice already. There are more but that is a feature for another day.

This week, we will feature six Filipino bands who have released albums in Singapore. All these bands are wholly Filipino but who all live and work in the Lion City. Their releases are all independent. You might want to check them out on their respective Facebook pages and better yet, ask your friends in Singapore to pick up their albums. Buy them! Don’t download, cheapskates.

Rise by UlingGang (genre: Heavy Metal)
If you like male-female vocal interplay like Lacuna Coil, the Devin Townsend Project, or even Nightwish, then you have to check out this awesome album by UlingGang. Their five-track EP, titled “Rise” is something that grabs you right away. Terrific and strong vocals by Shielah Nueva and Dyason Ramirez that grab you. Tight performances and a twin guitar attack for that shredding and crunching punch to the gut. Love the production and I appreciate that the album is properly pressed and not just burned. Powerful debut by the six-man band.

Hats by VunderVeil (Pop Rock)
Cheerful pop rock that reminds you of the Cardigans or Sixpence None the Richer but with a Filipino bent. Love the earthy and sweet vocals by singer Anlyn Curay who is backed by a capable rhythm section. I also like the fact that this full length album (12 songs in English and Tagalog) comes in nifty packaging that can also double as a brown paper hat!

Flashes of Random Spaceship by Obet Rivera (MOR Rock)
This one’s got groove and meaning! For fans of Pinoy 70s outfit Soul Jugglers that will also appeal to those who dig the late great P.O.T. (minus the funk). Rivera once played guitar for Emil Sanglay and Penpen (whose neo-ethnic style was part of that wave of folk singers in the late 1970s) and Polityx which played in Ultrastorm with the Dawn and After Image. Upbeat and stirring stuff! Rivera knows how to write songs with a hook that drip with passion. If you like Jackson Browne, Paul Westerberg and the like, check out this darn good album.

One Love by Cool M (genre: Pop/R&B)
This one takes you down a notch with cool grooves. Cool M has D’Sound vibe (that tres cool trio for Norway) with a pixie dust sprinkling of jazz and pop rock musings. They write catchy pop songs that will have you nodding along. Before you know it, you’ll find yourself dancing. I can only imagine how they sound live. Am sure their live performances are better! While Mercy Labarda sings most of the songs, her husband, Def, also alternates at the mike. When he does there’s a more pop rock to the RNB styles that work well with Mercy. For fans of Side A, South Border, and D’Sound.

Poetic Tragedies’ self-titled EP (Indie Rock)
Four-track EP. If you like bands like Thursday, Finch, and Taking Back Sunday to Name a Few or those who dig homegrown bands Richard Collier of the Skeleton Years, Poetic Tragedies will appeal to your taste buds. Bloody intense. Get ready to play air guitar along coz this one will rock your socks off.  

Pariah self-titled album (genre: Heavy Metal)
A seven-track EP by this five-man band. If you like Parkway Drive, Fiver Finger Death Punch and the like. Muscular and tight performance. You can see that Pariah has chops. Not crazy about the vocal mix though. Could be much better to make for better listening. Nevertheless, still good if you enjoy this kind of music. Wish they also added some liner notes to this.




Monday, June 26, 2017

Pinoy punk rockers Urban Bandits are back… with a new album.


Pinoy punk rockers Urban Bandits are back… with a new album.
by rick olivares

It is said that the language of the streets is written in graffiti… and punk rock. And if the latter is so then that old street parliamentarian Arnold Morales is back. Fresh off their reunion show last March, Morales’ seminal punk rock outfit, the Urban Bandits are ready to more than perform another reunion show.

They are ready to rage against society’s ills once more.

Yes, the Urban Bandits Morales, guitarist Ferdi dela Cruz, bassist Dondi Fernandez, and drummer Rogel Dela Cruz), that 1980s Filipino punk rock band whose cassette album, “Independence Day” featured angst-ridden anthems for the disenfranchised and those fed-up with a dictatorship, is going to release a new extended play album.

“Six to seven brand new songs,” pointed out Morales outside the Woodman’s Head, that expat bar along P. Burgos where he joined another of those old-time pink outfits, Bad Omen for a set that included many of the Urban Bandits’ classics such as “No Future sa Pader”, “Manila Girl”, and “Breaking the Wall” last Saturday, June 24. “New songs pero the same or new old angst.”

So why after 32 years have the UBs deigned to return and with songs for Molotov cocktails?

“Wala naman nagbago,” spat Morales. “Nagkaroon ng bagong pintura pero ganun pa rin. Kahit ano pa yung tinatatyo nila ang gulo pa rin.”

“Gagawa kami ng EP brand new songs,” he revealed of the project. “Mga every day na patama sa mga dapat tamaan.” No doubt, the fire burns fiercely in him just as it did back when “Independence Day” was recorded during those turbulent 1980s.

During the gig with Bad Omen, the pub was packed with skinheads and rude boys – many who weren’t even born in the 1980s -- who sang along to every song and danced some. Morales admitted to being surprised that sales for the re-issues of the UB’s cassettes – bootleg or not – remain strong. The recently vinyl re-release of “Independence Day” is a huge favorite and a strong seller in local punk rock distros.



“Nung una parang hindi ako keen on the idea of the album being re-issued,” admitted Morales. “Pero nagulat ako na well-received yung UBs at ang music namin by people today. Marami nga hindi pa pinapanganak noon punk movement ng 1980s. Kahit kapitbahay ko, akala niya bagong release!”

Morales related that the bootleg cassettes were released when he formed ska band, Put3ska in the 1990s. “Nung nasa Put3ska pa ako, mismo yung nag bootleg ng cassette pinuntahan ako. Nagbihgay ng cash kahit hindi ko hiningi. Siyempre malaking bagay na may respeto siya at hindi niya kami basta basta binastos.”

“Yung plaka na release, Amerikano gumawa niyan. Nagustuhan niya. Na discover niya yung Philippine music. Nung tumawag siya, pinapa-remaster niya na. So nakapili na siya ng kanta. I guess it’s all good. It is nice to see people appreciate yung gawa ng band.”

During the reunion show, the UBs borrowed a bassist from another band as Dondi Fernandez is now in the United States. “Ang plano ay sana maipadala namin yung bagong material sa kanya sa US para i-layout yung bass parts then ibalik niya rito sa amin,” said Morales of the new recordings.

The new album, said Morales, will be released in all formats. “Vinyl, compact disc, download, cassette. Ganyan talaga.”

He frontman pointed to the thriving local punk rock scene where bands released more records – on vinyl and cassette no less – than mainstream pop acts. Albums that sell to local and foreign audiences. “That’s the staying power of punk,” he underscored.

Morales took a swig from the massive beer bottle that was handed over to him. He smiled; sneered even. Then walked off into the night.

New album. Hell, yeah.

Lumilondol na naman.

Arnold Morales (middle) performing with Bad Omen last Saturday, June 24 at Woodman's Head in Makati.


With the great Arnold Morales







Runaway Jerks - Nitoy Adriano, Jun Lopito (the Jerks) & Butch Saulog (Runaway Boys) join Rockoustic Blues Experiment for "Stray Cat Strut"



During the Listening Party for the debut EP album of the Rockoustic Blues Experiment, former members of the 1980s Filipino punk band -- Nitoy Adriano and Jun Lopito of the Jerks as well as Butch Saulog of that old rockabilly outfit Runaway Boys -- joined the band for an incredible jam. Here, they perform the Stray Cats' "Stray Cat Strut".

Saturday, June 24, 2017

A sort of homecoming for Joey Ayala


A sort of homecoming for Joey Ayala
by rick olivares

How does a recording artist who came up in the early 1980’s remain a creative force in this new millennium?

For Joey Ayala… it’s going back to the past… with a creative eye to the future.

This coming September, Joey Ayala and Ang Bagong Lumad will return to the Music Museum where exactly 25 years ago, they performed and launch three records all at once. Those records were his debut, "Panganay Ng Umaga," "Magkabilaan," and "Mga Awit ng Tanod-lupa."

Will lightning strike twice with Ayala launching a new album in this “sort of homecoming?”

“Hmm,” he mused with his eyes ablaze with thought and possibility.

Now at 61 years of age, Ayala’s creative spark has not dampened one iota. “I have enough songs, but I haven’t decided to either launch it as a new album or in single form,” said Ayala during a photo shoot for the promotional materials for the upcoming show at A Space in Legaspi Village, Makati.

For that show, Ayala still has to decide on the set list. He pauses for a moment his brow knotted in mild concern. “It is so different from when I first came up to today,” he pointed out. “Now I have to consider how much of the old stuff do I perform and how much new materials do I introduce. Some want to hear old songs while some might look for new ones. Some might wonder, ‘why is Joey playing jazz?’”

When Ayala first came into national consciousness after rising up from Davao with his home recordings, his music was lumped together with folk and even acoustic rock. Ayala’s music later was pigeon-holed into the category called, “world music.” Ayala is kind of at a loss to describe his music especially now.

“My life and journey as a musician has seen me play in Kuala Lumpur to London and many other places. I recall when I performed in a festival in London with Grace Nono, there were so many other musicians from all over the world – Egypt, Africa, Tibet. I found myself drawn to their music. Eye opener, ba? Over the years, I have expanded my horizons. My music has changed. I’ve adapted Middle Eastern styles, Flamenco, Spanish sounds, and others into my own style. Even my voice is different. You have to grow as an artist. I cannot sound like it is 1982,” he shared.

And 25 years later, Ayala is still having a lot of fun “sa buhay musikero.”

“Today mas nagging malinaw yung kaya mo as a musician,” he pointed out. “Economically, the source of money is performing and not album sales. It’s from compositions or scoring commissioned work. So I focus a lot of my energies on performing.”

And that September performance will find Ayala sharing the same stage with former Bagong Lumad member Bayang Barrios for the first time since she went solo.

“Yung aming landas nagkakasalubong kami but with not opportunity to perform so this is a good -- how do you say this – homecoming.”

Other guests for the show include Bullet Dumas and Dong Abay to name a couple who have confirmed for the show.

“When you perform with other talented and respected musicians, the creative sparks fly; the show takes a certain life of its own,” gushed Ayala. “I am excited for this.”

As much as Ayala is looking forward to the show and the potential synergies with other performers, there is one collaboration that he hopes will see the light of day. “One of those major things on my personal bucket list is to make an album with my sister, Cynthia Alexander. Nag-kwentuhan na kami. Nagkakatamaran kami. Although nasa States na siya (Alexander lives in Seattle), we can do file sharing for the songs. But it will happen in its time.”

Aside from the possible collaboration with Alexander, in the pipeline is the possibility of re-recording his old songs for a new generation. “I don’t really calibrate my songs for my younger audiences, but since I own the publishing rights and my former recording company has not re-released any of my old albums, I am contemplating on re-arranging and re-releasing them. My ambition is to record them at home. I have spent a lot of time studying today’s technology that will allow me to record at home. As I said earlier, my voice and way of performing is different so the arrangements will reflect that.”

“You mentioned the word ‘homecoming’?”

“You know homecomings always bring smiles, good memories. I guess you can call the show something like that. With an eye for the future though.”