Fil-Brit singer Chlara is looking to
expand her horizons in Japan, Korea
by rick olivares
Growing up in England,
Filipino-British singer Chlara Magtultol discovered music through her late
father who had quite a vinyl record collection.
Today as a recording artist, she
feels she’s come full circle having released a vinyl record (to go with her
debut offering in compact disc form not to mention new releases on digital and
streaming). “My dad used to collect vinyl so this was like a goal of mine,” reflected
Chlara who moved to the Philippines at the age of nine. “I feel I have come full circle. Music and
vinyl records were my father’s passion and now I have one for myself. Since he
passed away, I did something that my father really loved. So this is for him. I
feel like I have this connection with him.”
As much as her father was an
inspiration, an unlikely influence for the Fil-Brit was Filipino alternative
band, Parokya Ni Edgar, that made a name for themselves with their rock novelty
songs and satirical covers of local and foreign music.
A cousin of hers made her listen
to a Parokya Ni Edgar original titled, “Don’t Touch My Birdie”.
“I thought it was funny but not
really understanding it,” she laughs at the memory. “You understand what he
(lead singer Chito Miranda) is singing about,’ my cousin asked. Then I laughed.
‘Oh, no!’ But it is funny.”
Today, during her performances,
she occasionally sings songs from Parokya Ni Edgar such as “Harana” and “Para
Sayo”. “But not ‘Birdie,” she protests with a laugh.
Parokya Ni Edgar aside, Chlara
certainly never thought she’d have a career in music in the Philippines. Since
she settled down in Metro Manila, she’s been one busy recording artist.
She released her debut album, Unstoppable, in 2014, and followed that
up with her vinyl release, In A
Different Light, in December of 2016. Her third release in December of 2017
was a digital extended play album titled, Evo
Sessions. Less than four months later, her second EP, Evo Sessions EP 2 came out this past March with the single, “Baby
Just Let Me Go”.
“The different formats are for
all the different audiences who prefer music in different ways,” she explains
of the various forms of release.
“My first album had a rough
start,” she recalled of Unstoppable.
“No one heard of me yet and the songs were high school-ish since they were the
very first songs I wrote. They reflected the younger me and I think they
weren’t fully appreciated. At least not yet. Since In A Different Light came out – and it was an album of cover songs
-- the first one is doing better.”
But the local music scene is
tricky one. Not all mainstream artists do well. In fact, underground bands do
even better by not only performing abroad but also getting to sell physical
copies of their music outside the Philippines. “I’ll say this about the local
music scene, It’s exciting but also challenging. I think many people would
rather stream or download,” says Chlara.
Interestingly, the young singer
has gotten much better interest outside the Philippines. “We were surprised to
know that my songs are getting played – on the radio – in places like Japan,
Korea, Taiwan, and Hong Kong,” she says. “In fact, I am getting letters and
personal messages from people over there. And they aren’t Filipino. They say,
‘Oh, I heard your song on the radio and I’d like to know more about your
music.’”
The increasing outside interest
has seen her go to Hong Kong and Taiwan to promote her songs. “I think the
internet has really made that possible,” exclaims Chlara. “And now I am looking
to expand my market to as far as Japan and South Korea. If there is the
opportunity to collaborate with recording artists there, why not? We are also
looking for new ways to not only perform there but also do something unique.”
“I never thought I’d have a
career in music in the Philippines and I certainly never thought I’d have an
audience in places like Korea or China. But that’s the cool thing about music –
the language is universal and knows no borders. And I look forward to expanding
my horizons.”
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