Fil-Italian hardcore crew, the Seeker, releases split record
by rick olivares
Filipino-Italian hardcore punk band The Seeker
recently released a split record with German power violence crew, Arno X
Duebel. The Seeker’s split side of the record is titled, Parusa, and follows
the heels of last year’s blistering album, Malaya.
The opening track, “#SleepTonightRevolutionTomorrow”,
begins with the line, “What do you like in music? I like fast music.”
And the Seeker delivers the pain all right. Parusa
features seven songs all performed in breakneck speed. The carnage all over in four
minutes and 45 seconds.
It just doesn’t end there. The album cover is
striking and features an old photograph of a man being tortured with a garrote
perhaps dating back to the Philippine-American War.
The Milan-based the Seeker is composed of Filipinos
Michael Dee on guitar and Eddu Jan Lapitan on bass. Andrea Covaz, the drummer,
is Italian while their vocalist, Dominik Dominak, hails from Slovakia.
“We were on tour when we met these awesome German
lads,” said Dee who founded the band. “Arno X Deubel opened for us in Berlin
and after that packed show, we got heavily drunk and the magic just happened. A
split record was proposed and we said yes.”
Dee describes Parusa as being “Faster and more
chaotic.” As for the Filipino titles of their records, the guitarist says the
rest of the band doesn’t mind. “The language may be different, but the message
is the same,” clarifies Dee. “We all think and feel along the same lines. We
all strongly believe in it.”
The band doesn’t shy away from politics in their
native Italy or even across their borders. Their songs rail against fascism,
corruption, and injustice. In fact, one of their songs on last year’s Malaya
railed against extra-judicial killings in the Philippines.
As for his home country, according to Dee, the Seeker
has Southeast Asia and the Philippines on its tour radar. However, they need to
work on logistics to make it happen. Said Dee, “Maybe in a year or so we can
perform in the Philippines.”
The split record was funded by the Philippines’ very
own underground label, Delusion of Terror, Germany’s Knochen Tapes, and Italy’s
Here and Now Records as well as Zas Autoproduzioni Records.
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