Wednesday, July 31, 2019

Moonstar88 ascends to the top; to release new album.


Moonstar88 ascends to the top; to release new album.
by rick olivares

Indie rock band Moonstar88 is releasing their latest album sometime soon; their fifth.

Their last three albums – Press to Play, Todo Combo, and This Year -- came five years apart. “Inadvertently,” qualified guitarist and sole remaining member of the original Moonstar988 lineup, Herbert Hernandez.

“The new one – with nine songs so far – is arriving after only three years,” chimed in bassist Buddy Zabala. “At least one doesn’t have to wait for an additional two years to hear our new material.”

Welcome to the second life and times of No Wave band, Moonstar88.

“No Wave” because they were never really part of any wave or genre. “No Wave” because the band defies conventional wisdom. They gig and tour when they can. They make albums when they can. While this 2019 is the band’s 20thyear – yes, they have been around that long – it doesn’t feel like two decades. 

When this indie pop rock band came out in 1999 it was the tail-end of the Eraserheads’ incredible run during the 1990s. At the time Moonstar88 scored hits with “Torete” and “Sulat” that was during the rise of the NU metal scene or in local parlance, the “kupaw band era.” Slapshock released their second album Headtrip, Cheese released Pilipinas, Greyhoundz put out their self-titled second album (that sold 40,000 copies) ad infinitum. 

On the pop side, there were all these female soloists played either pop, acoustic sets, or sang bossa nova songs such as Kitchie Nadal, Aiza Seguerra, Nina, and Sitti to name but a few.

At the time of Todo Combo’s release in 2007, one of the singles, was “Migraine”. It was followed by a cover version of the APO Hiking Society’s “Panalangin” that became a staple of their live performances. Around the same time, it was these retro bands like Orange and Lemons, the Bloomfields, and Juan Pablo Dream that were making names for themselves while pop rock bands like Cueshe, Hale, and Sponge Cola reigned.

Five years later, when Moonstar88’s fourth album, This Year, hit the shelves, true to form, hiphop stars such as Gloc-9, Ruby Ibarra, Loonie, KJah, and indie label Uprising Records to name but a few were ushering in a new age of Filipino hiphop.

“We are a band that really worked at our own pace,” remarked Hernandez at Moonstar88’s uncanny sense of timing. “As a band, we run a marathon, not a sprint. And underground kami, at the same time, we could also play mainstream. Wala kaming positioning.”

The original version of Moonstar88 was noisy. However, when Herbert’s older brother Darwin (who now manages the band) gifted the band the song “Torete” they went to a more popish sound although still in tune to their alternative roots.

“Never kami sumabay sa uso,” summed up vocalist and guitarist Maysh Baay. 

However, a confluence of factors – the rise of streaming, the resurgence of the local band scene, and the addition of Zabala to name but a few, have seen Moonstar88 belatedly become a top draw. Now a headline act if you will with top brands now working with them. Making up a huge number in the audience is the younger set; some who were too young to have even heard “Torete” or “Sulat” when it was first played on the radio.

The band has paid their dues and found themselves performing to a whole new generation of fans who discovered their back catalogue through streaming and social media. 

Given second wind, Moonstar88 plays not only with more confidence as befitting a veteran band, but with an aura of a band at the top of its game. When they perform, they have the undivided attention of the crowd that sings along to the songs. Hernandez is a much better guitarist and an accomplished songwriter. Drummer Bon Sundiang may be a bit less vocal than his other bandmates, but his beat and backing vocals complement the band including Baay so well. As for Zabala… he adds a sense of order to the band as befitting someone who has worked with an accomplished band like the Eraserheads and the Dawn. His presence can be felt at sound checks, jams, recording, and right down to the band’s set lists. 

And speaking of Baay, she is one of the best frontwomen in the band scene today. She is at once radiant and sexy with her well-toned figure’ the result of hitting the gym. Yet, Maysh is more than another pretty face. She can more than hold her own on stage and is certainly most engaging.

“When I joined Moonstar88, it wasn’t like I was handed a bed of roses,” she recalled. “We had to put in a lot of work. There were gigs na wala pa rin tao. What we have achieved as a band today is because of the work we put in. We are not a band that has only three hits. We always made a conscious effort to write better songs and not rest on our laurels.”

Following the first batch of hits “Torete”, “Sulat”, and “Sa Langit” the hits that followed include “Senti”, “Migraine”, “Panalangin”, “Ligaw”, and “Sorry”. 

With the world at their fingertips, it is refreshing to see that there are no plans for world domination. The goals are modest, simple, and down-to-earth.

“Nobody knows what the next big thing will be,” put in Zabala. “It’s best for us to hunker down and work on our craft – our shows, songwriting, studio work, and come up with more stuff. The band is finding its footing and we’re solidifying it.”

“I think all these years of performing, taking things in stride, have taught us to be content with what we have,” added Baay.

“We just want to play for Filipino audiences,” divulged Hernandez. “We had opportunities before but mas marami now. Like we are making up for lost time. So dito muna kami. Tugtog. Go to our day jobs (because we all have families). And record a single every now and then.”

“We never get tired of performing kahit makatatlong ulit kami sa isang lugar,” offered Sundiang.

On deck is the yet-untitled fifth album of nine songs. “The recording is done and we’ve going to decide when we put this out,” summed up Hernandez. “We make sure the format; the marketing is different. Pagandahan din ng gimmick, packaging, and how to launch the album. Our last album won a ‘Best Packaging Award’ as well so kina-career namin.”

And what a career it is for this No Wave band. Twenty years of hits and the band is finding themselves enjoying the fruits of their long and hard labor. To quote the Man from Hoboken, Moonstar88 did things, “their way.” 




Monday, July 29, 2019

Getting into Filipino hiphop and rap



I’ve listened to hiphop intermittently. Like a lot of folks, I started out with the Sugar Hill Gang’s “Rapper’s Delight” then moved on to the 2 Live Crew. Locally, I wasn’t a big fan of Francis Magalona until his second album that featured, “Mga Kababayan” after which I picked up everything that he put out (including his collab with Ely Buendia). I also have a pair of 12-inch singles from Masta Plann.

Later, I got Eminem’s albums and a Cypress Hill album and a 12-inch single from Young MC but that was it. 

Over the years, I got a few others. Calix’s The Lesser of Your Greater Friends and BLKD’s Gatilyo.

A few months ago, I picked up the Spider-Man Into the Spider-Verse soundtrack. Not only was the film immensely enjoyable but the hiphop soundtrack was pretty good. So I got it. At that time I finally got myself a vinyl record of House of Pain’s Fine Malt Lyrics (when it first came out I picked up the CD). 

Then I did an interview with Alaric Yuson of Uprising Records (I wrote an article about the label that was followed by an article on 12-year old rapper Alex Bruce) and it took off from there.

Previously, I wrote about the Assembly Generals and Masta Plann.


Finally... Spanish hardcore band Teething is going to Manila (and Southeast Asia)


Am damn happy to have played a role in making this happen.

Sunday, July 28, 2019

Interviewing American Football before their Manila show


Interviewing American Football before their Manila show
by rick olivares

American indie rock band American Football which released LP3, to critical acclaim this past March 2019, is headed for Manila for a show at the at Power Mac Spotlight, Ayala Circuit, Makati on Friday, August 2, 2019.

The Illinois-based band is on an Asian tour with stops at Japan, China, Hong Kong, Thailand, Singapore, and Indonesia.

The four-man band (vocalist and guitarist Mike Kinsella, guitarist Steve Holmes, bassist Nate Kinsella, and drummer and trumpeter Steve Lamos) are in their second act as a band. 

During their first go-around from 1997-2000, their self-titled debut that is now called “LP1” was touted as one of the best emo and math rock albums of its time. The band reunited in 2014 and since released two more acclaimed albums.

We got to speak to American Football drummer and trumpeter Steve Lamos as the band embarked on their Asian tour (as of this writing they are in China) about the new album and playing in Manila. 

Rick:  Can you kindly share about the band's refusal to name the albums that are instead called, LP1, LP2, and LP3?  Is there a story to that? There seems to be continuity at least for the first two albums in terms of the album cover?  The first two covers, in fact, are said to have bolstered emo tourism in Urbana, Illinois. Why deviate for LP3?

Steve Lamos: 
Laziness and sarcasm, I suppose.

More specifically, the record was supposed to be the last, so _American Football_ seemed like a perfectly fine title for it.  When it came time to name the second one, we couldn’t land on anything that we all liked, and then we remembered that _Sunny Day Real Estate_ had an LP2.  (So did Led Zeppelin and Van Halen and a gazillion other bands.)  That was that.

By the time LP3 came up, we figured that we needed to keep the joke going—Spotify be damned.  

Maybe the next one will be LP5 or something.

As for your other question: I do think that there is continuity across the three LP album covers, at least in the sense that Chris Strong shot all of them.  But the third cover does a much better job, we thought, of showcasing the expansiveness of the music than any third return to the house could have.  And we all loved the pastels from that shot.  (LP3 is my absolute favorite cover, personally.)

Rick: "Every Wave to Ever Rise" is such a lovely song. I know that Elizabeth Powell hails from Montreal but she isn't French-Canadian, is she? Nevertheless, I love the simple use of the French language (which in my opinion is the most romantic of all languages). Was that use of French by design or did Elizabeth chip that in?

Steve Lamos: Mike had some lyrics in French already, and he was hearing a woman’s voice in dialogue with his. That’s where the song started. And we knew Elizabeth a little bit from having played with Land of Talk the previous year.  I love what she did with the lyrics and the part itself: her contributions are some of my very favorite on the album.

Rick: Are you guys Pink Floyd fans? How did "Uncomfortably Numb" come about?

Steve Lamos: I’m actually not sure whether we’re all fans per se—but, if you play any sort of popular music, then you know Pink Floyd and what they’ve done.  (I will call myself a fan of The Dark Side of the Moon and Meddle actually and I listen to both of those records fairly often.)

The song itself started with a Nate riff, I think, to which I think that I added the basic drum part. It really took shape, though, once Mike came up with the “as a father, I blame the booze” line along with the harmony that pays tribute to “Comfortably Numb.”  I’m not always a fan of punny music, but I love what Mike did with this lyric and melody.


Rick: I love how you also had Rachel Goswell guest for "I Can't Feel You". In some ways, this album, LP3, feels like some weird cousin to Slowdive's last album, the self-titled one in terms of mood. How did you pull this off -- getting Rachel, and then Elizabeth and Hayley Williams? How do you perform the songs live without the three ladies? 

Steve Lamos: I talked a bit about the Elizabeth collaboration earlier.  In contrast, the Hayley and Rachel collabs were a bit more like shots in the dark: we reached out to Hayley because we were fans and because we had seen social media posts where she expressed her appreciation of LP 2; we reached out to Rachel solely on the basis of her work in Slowdive.  We’re incredibly lucky that both said yes.

We do play all three songs live: when we can, we have guests sing with us—including Sarah from Illuminati Hotties, Sarah from Pure Bathing Culture, and Sara Beth from Tomberlin.  (We should do some sort of Sara / Sarah sweepstakes or something.)  Otherwise, Nate sings those parts.

Rick:The album exudes a mysticism; a forlorn feeling. In fact, seeing the cover for the first time, I felt it was like some weird cousin to Roxy Music's Avalon or even Mogwai's Les Revenants soundtrack. How does the band find its inspirations for such beautiful and even moving music?

Steve Lamos: Thanks!  I think that we all like vibey music these days, and so much of the forlorn feel doubtless comes from that.  I also think that we’re writing stuff that moves in the direction of mantra: lots of repetition, slowly moving parts, bashing rhythms on the drums. American Football has always had those elements, but I think that we’re maybe especially focused on them these days. 

I’ll say, too, that I listen to more and more instrumental stuff myself these days, especially anything by Bill Frisell, and that I am increasingly drawn to music that captures the vibe of mountains and hills like the ones near where I live.  As I get older, I look more and more to the comfort that this kind of music provides for me.

Rick: 
Chris Strong took the photographs. Did he listen to the music first and then shoot the pictures or he did it on his own? I guess the band is particular about simply yet expressive imagery that is open to interpretation. any comments on that?

Steve Lamos: I think that he was listening to demos as he shot the last couple of records.  But I also think that he’s known the band for 20+ years now, which means that he likely has a sense of what to shoot anyway.  We’re lucky that he continues to work with us!

Rick: How does it feel to have fans all the way on the other side of the globe? 

Steve Lamos: It’s equally exciting, humbling, and cool: we’re really flattered to think that people around the world have identified with this music.  It’s also, frankly, a bit weird for us: each of us is much more likely to be ignored in daily life than to be listened to, and so these gigs are always a treat.

Hope to get my records signed.

Playing Jay Som's Everybody Works


Listening to Filipino-American Jay Som's Everybody Works. Lo-fi goodness.

Bringing the sunshine: Kiara San Luis on living her music dream with Imago



Bringing the sunshine: Kiara San Luis on living her music dream with Imago
by rick olivares

Early during Imago’s set at the 70’s Bistro on a rainy Tuesday evening, Kiara San Luis, the band’s new vocalist paused and uttered, “Kinakabahan po ako.”

Guitarist Tim Cacho smiled then offered, “Okay lang ‘yan.” The rest of the band – bassist Myrene Academia, drummer Mervin Panganiban, and July XIV guitarist Conrad Javier filling in for Zach Lucero who was out of town – beamed. 

It was a beam with bright hues of satisfaction, one of like an older sibling dotting on the young one, and mayhap, that smile as if to say, “we’ve got something here.”

That “something” is someone.

Kiara San Luis was in her final year at Miriam College and working on her Communications Arts degree when she got a message from Lucero expressing interest to come in as Imago’s new vocalist after Mayumi Gomez got married and moved abroad. 

“I used to post videos of myself singing and playing acoustically and now I’m in an actual music video with Imago,” related Kiara. “Is this for real?”

The band has had two previous talented and pretty vocalists in Aia De Leon and Mayumi Gomez and following in their footsteps can be a daunting task. “The pressure of following them hit me only when I began performing with Imago,” revealed San Luis.

“I just told her to be herself and not try to imitate Aia or Mayumi,” advised Academia; something that all the other band members echoed at one point or another. 

“One of my favorite Imago songs is ‘Akap’ (from the second album, Take 2), and I asked the members what it meant but Tim, Zach, and Myrene said that it means something different to everyone so try not to worry about it and interpret it on my own. So I sing it the way I can but with a lot of respect for what Aia brought into the song.”

Tuesday night at 70s Bistro, San Luis is singing a song written with her in mind.

Tuesday night was also the launch of their new music video of their latest single, “Pag-Ibig na Walang Balik.” 

Lucero wrote the song in an hour with San Luis in mind. 

“It’s really flattering and I sing it with all my heart, said Kiara.

Heart. And more. 

Kiara brings power in her vocal range that belies her small frame. She’s like The Sundays’ Harriet Wheeler or Sixpence None the Richer’s Leigh Nash – tiny dynamite with a winsome nature and amping up on the perky factor.

And Imago is on their third wind.

How many bands can survive the departure of iconic singers?

Lucero and Cacho, the last of the original iteration of Imago, form its heart, while Academia and Panganiban, solid 90s veterans, give them a solid backbone. But the songs... passed down from one vocalist to another who each put their own stamp on them are timeless.

And Kiara San Luis has in five short months breathed new life into one of the best bands in town.

Right before Imago took the stage, the music video was shown publicly for the first time. San Luis stood in the back close to the soundboard. She was nervous and she held her fingers tight so she would not fidget. At times, she looked away. “Nervous. Shy,” she described her feelings at that moment.

A few songs into Imago’s set, after singing “Pag-ibig na Walang Balik,” the crowd applauded vociferously. Buddy Zabala, of Moonstar 88, that played earlier during the night, nodded and offered his vote of confidence, “Galeng!”

The young lass who only wanted to form a band after college radiated happiness; an infectious zest of someone fulfilling a dream.

Behind Kiara San Luis, the band too beamed. And played on.





Saturday, July 27, 2019

Friday, July 26, 2019

12-year old BatangueƱa rapper Alex Bruce signed to Sony


12-year old BatangueƱa rapper Alex Bruce signed to Sony
by rick olivares

Twelve-year old Thurston Alex De Villa Bruce was battling nerves. And this was the sound check prior to the press launch of Sony Music Philippines’ new batch of artists.

“If it is kids my age, then I don’t have a problem,” shared Alex. 

However, when the lights are turned on, the young rap artist from Batangas is a show stopper.

Bruce was the first act to perform during the press launch at 12 Monkeys last Wednesday, July 24, and she performed two songs – her debut single, “Mind Is a Weapon” and “Pull It Off” that captured the assembled media.

Shocked and surprised at being signed this young to an international record label, Bruce still has to ask he parents and pinch herself while doing that if this is all real.

“I was just rapping to (Fil-American) artist Ruby Ibarra – the video was posted on YouTube – and the next I know, I am getting a phone call from her to perform with her,” shared Alex. “Then I meet local rap artists like Loonie, Ron Henley, Abra, and many others… it’s amazing.”

While young girls her age are more into their gadgets, streaming, and going out on gimmicks, Bruce says she continuously immerses herself into hiphop. “My parents are big hiphop, rap, and R&B fans so that is how I discovered all this. It is through hiphop and rap that I have been able to express myself.’

The young lass is old school too citing Bone Thugs-N-Harmony, Eminem, Tupac Shakur, Kanye, Nikki Minaj, and 50 Cent as some of her influences. “I cannot say that I am very good at it,” she said of penning verse and rhyme. “My beats are done by Jim Poblete, Jim Dacanay, and Michael Cursebox Negapatan. Sometimes I get help in songwriting because I have difficulty. I am still young and learning. Freestyling is something I still cannot do. But I will learn it.”

While she is thrilled that people like her music, Alex said that she would like to be known more for her music rather than seen as a novelty artist. “I know people look at me as a young girl. I hope that they also pay attention to the songs and words. I think ‘Mind Is A weapon’ says something about what I am doing. It is scary performing in front of audiences and older people, but that is why I use my mind. To tell myself that I can do it.”

“And this is for others. A message to them that they can do anything they want to do. They just have to put their mind to it.”

According to Sony Music Philippines General Manager Roslyn Pineda, they look forward to promoting Bruce’s music and she if they can match her with some of the more renowned hiphop artists in their roster to create some synergy and give Alex a boost.

“I hope to work on an album soon,” summed up Bruce. “I just have to put my mind to it.”




Thursday, July 25, 2019

Saturday Morning Cartoons Greatest Hits


This is one of my favorite albums ever. I never get tired of it. If you are a kid who grew up in the late 60s and during the 70s, you would have seen all these cartoons on television. So I know the theme songs by heart and seeing some the 90s alternative bands record their takes on the songs is lovely. I have both the vinyl and the compact disc (including the VHS documentary) and I never get tired of listening to them.

Wednesday, July 24, 2019

Uprising announces new Pinoy hiphop albums; Unibersikulo battle rap league coming


Uprising announces new Pinoy hiphop albums; Unibersikulo battle rap league
by rick olivares

Uprising Records announced new albums that should be out soon.

The independent hiphop label that, in six years of existence, has been nothing short of prolific. Run by Alaric “Anygma” Yuson, Uprising announced albums from Kartel, General Santos native Tatz Maven, and Juss Rye.

To date, Uprising has released 17 albums from hiphop and/or rap artists, as well as DJs and producers, from all corners of the Philippines. “We’re an independent label and we’re more than proud of our output from varying artists all across the Philippines,” said Yuson. And before the year ends, they’re looking to be add three more albums to their discography.

In recent years, albums from local hiphop artists from all over the archipelago have received better acceptance and recognition as well as sales. “There are many, many factors of Filipino hiphop gaining more and better recognition,” postulated Yuson. “The words, verses, and lyrics are something that more and more people can relate to or find inspiration in. The level of creativity has really taken off…” 

“And the beats and music are downright nasty,” chimes in pioneer DJ and producer, Arbie Won.  

Uprising is doing its part also by taking great pains in professionalizing their releases. All of them are pressed by the country’s lone compact disc processing plant, FAS. “It’s definitely a bigger investment, but we really want to give all the releases a stamp of quality as well as authenticity,” emphasized Yuson. “People say that in the age of streaming, a physical release might be impractical. But we seem to have done well on the strength of word-of-mouth and hand-to-hand.”

The runaway best-seller is rapper BLKD’s 2015 release, Gatilyo, with UMPH, that to date has sold some 800 copies.

DJ Arbie Won, the man behind the popular Treskul Records & CafĆ©, also released the single from his United Freestyles Vol.3, “Trapper Keeper” featuring former Narda vocalist Katwo Librando on 7-inch vinyl through his own Treskul Records.

“To be a part of Uprising is an honor,” said the DJ. “It is good to contribute to the music and the development of hiphop in the Philippines through physical formats.”

One time, a foreigner digging for records at Treskul Records and CafĆ© that is next door to Uprising Records’ Boni Avenue office, walked in – intrigued about Filipino hiphop. “He didn’t understand Tagalog but he bought a bunch of cds anyways,” recalls Yuson.

The label’s titles are also available in Japan through Disk Union. Hiphop fans in the USA and the United Arab Emirates have also picked up the albums. 

“There’s a misconception that Uprising is mostly a political label, but that isn’t accurate” clarified Yuson. “Our artist roster is from all around Luzon, the Visayas, and Mindanao, and everyone has different styles, sounds, and beliefs. It’s not even an Uprising against anything per se… Maybe an uprising within (and not against) Filipino hiphop? We just try to put out what we consider to be… simply, good Filipino hiphop.”

Through the years, hiphop has long branched into a variety of sub-categories such as political, social, hardcore, and even horrorcore, to name a few – and Uprising also represents these many different styles.

Yuson will also be busy with the world-renowned FlipTop Battle League.

This coming August 10, the latest edition of the world’s most-viewed rap battle league (their videos have gained over 1.4 billion views on YouTube), titled Unibersikulo 7, will be held once more at the TIU Theater at what’s now known as Makati Central Square (formerly, Makati Cinema Square).

“We have two more FlipTop events outside Manila that we have lined up, before our last 2-3 events for the year,” summed up Yuson. “I think it’s a second Golden Age for Philippine hiphop and we at Uprising and FlipTop are glad to be a part of it.”

Interested fans can check out the Uprising discography through their office, Baraks, Treskul Records at Boni Avenue and Ali Mall, the BranDead shop in Munoz, Merch District branches, online distributors, and through the label’s Facebook page www.facebook.com/uprising.ph.

Discography: 
1.   KJah – Sa Gitna ng Prusisyon 
2.   Bambu – 5 AM in Manila EP 
3.   Arbie Won – United Freestyles Vol. 3 
4.   Zaito – Ganti ng Patay 
5.   BLKD x UMPH – Gatilyo 
6.   KJah – Ang Gantimpalang Idinaan sa Wika 
7.   Emar Industriya – Industriyalismo 
8.   Illustrado – Illustrado 
9.   Apoc – Loob ng Kabaong 
10.Serenata – For my Daydream Dalliance 
11.Plazma – The Impaler EP 
12.Tweng – Proyekto Sikmahi 
13.KJah – Kamao ng Kanakaloo EP 
14.Kemikal Ali x Arbie Won – Bukas Uulan ng mga Bara 
15.Kregga – Karo’Mata Epe 
16.Dhictah x KMG – Lalim at Karimlan 
17.K.M.G. – Underneath the Cranium Beat Tape 

Upcoming Projects: 
Kartel – LP 
Tatz Maven – LP 
Juss Rye – 90Nice