A rich tapestry of dreams and fears: The
Ringmaster releases new dream pop opus
by rick olivares
Francis Lorenzo aka the Ringmaster
(who was a part of Sleepwalk Circus that has since got on hiatus) invites you
to partake in his new album, Viletin; a rich tapestry of forbidden desires,
Gaimanesque horrors, Kate Bush-like narratives, isolation, melancholia, and a
ray of hope.
Three years in the making and
five years after the Ringmaster released Delusion of Reference; his first solo
album after Sleepwalk Circus went into a state of extended slumber, Viletin
(Terno Recordings) is a deeply personal, haunting, and spellbinding dream pop
album.
It is well worth the wait and
when you play Viletin, you must put everything aside to take in the dense layers
of deep prose and intricate and lush music. What sets the Ringmaster’s brand of
dream pop apart from its peers is if others take you to different sonic
landscapes and flights of fancy, with Lorenzo, it’s like providing music to
Antoine de Saint-Exupery, Neil Gaiman, and Peter S. Beagle to name but a few.
My copy of Viletin includes two
discs – the second disc features outtakes -- and a 60-page booklet filled with
fragmented musings from the wee hours of the morn as well as beautiful black
and white artwork from a variety of artists that goes hand-in-hand with the
music. I don’t believe you can have one and not the other. All that will help
you delve deeper into the unfettered mind of Lorenzo and the emotions his songs
evoke.
It’s like a graphic novel with a
soundtrack. Or actually, soundtrack with a graphic novel; now that’s more
accurate.
I like how Lorenzo collaborates
with different female singers such as Evee Simon, Isabelle Romualdez, Aleph,
Bijou, Megumi Acorda, and Lady Twish who each add their own gentle inflections
and poignancy to the songs. As I am informed by Lorenzo, the album was intended
to be a full collaboration with the other singers but only ended up with half.
It doesn’t matter because I think the songs that the Ringmaster does by his
lonesome are good too. The production is top-notch.
Earlier, we mentioned sainted
English chanteuse, Kate Bush who broke the mold for recording artists
especially females in the late 1970s for her deft use of narrative and shifting
personalities from song to song. The Ringmaster does the same with aplomb.
“It will always feel silly (these
diaries or songs),” as Lorenzo writes in the liner notes. Nonetheless, he bares
himself. Different sides too.
In the second track, “In Perfect
Melody,” it is a distant but near ringmaster who either cages the heart of one
he desires or vice versa. You aren’t sure who holds who in thrall. But the
torture in one’s emotions is clear.
In “Odds of Olympus,” the song
talks about two different people looking for hope in a place where they don’t
belong when they aren’t even sure if they believe. It’s a leap of faith one
must take.
Whether the fourth track, “Atelo”
seems personal about and is like one’s music masking the pain, sorrow, and
neurosis of day to day life.
The rest of the album is like a
peak into one’s fears, hopes, and dreams from different points of view.
And we are lucky we get to see
this kind of work where music meets art and art meets music; making it a
complete package.
Viletin will be launched on
Friday, October 26, at Saguijo with copies of the album available in limited
quantities.
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