Joey “Pepe” Smith has got one more rock and
roll yarn to tell
by rick olivares
The rebel in Joey “Pepe” Smith
burns fierce.
Famed disc jockey Bob Magoo
called into the crowd just as legendary rockers Maria Cafra took to the stage
for their set at Handlebar last Wednesday night (May 10).
“Where you at, Pepe?” asked Magoo
as a sea of old time rockers, punks, and New Wavers filled the biker’s bar. “I
know you are in the house!”
Smith, 69, and well, in his best
cowboy attire (Stetson, boots, and a faux southern drawl0, stood up and gave
Magoo the middle finger. “Nothing has changed,” laughed Magoo who is used to
the rock and roll icon’s antics. “Still the same old Pepe.”
The show, called “Rock &
Punk: Support for Rolly Averilla was a hastily planned show to help the famed Maria
Cafra drummer come up with funds for his son who is now paralyzed after being
struck by a car in Cavite. Smith, Pinoy punk pioneers the Wuds and Urban Bandits,
among many others showed up to lend their talents for the fund raiser.
“Sino pa nga ba tutulong kung
hindi tayo sa rock and roll community,” said the rebel with a cause. “That’s
the point of music – it’s about the times, life, struggles, hardships, causes,
and well, getting by with help from your friends.”
Smith, the loquacious raconteur isn’t
his old spritely self. Yet at a towering 6’3”, he still draws a crowd. Last
Tuesday while walking in Virra Mall, the rocker was mobbed. Said the promo
girls at the nearby Astro Vision, “Sikat pa rin si Pepe.”
At Handlebar Wednesday, Smith is
still mobbed for selfies and autographs. He hardly even has time to take two
bites out of his slice of pizza because everyone is in his face.
Averilla who is the beneficiary
for the show doesn’t mind one bit that his old friend is still a scene stealer.
“Maybe is I had his height, I’d be as popular,” joked Averilla who gives away
quite a few inches in height to Smith.
Before his set with DriveTrain,
Smith took time to sit down and talk about his career that has spanned six decades.
“Rock and roll is my life, man,” he declares. “But…. What I’d like is to lose
this writer’s block.”
After his last album, “Idiosyncrasies,”
recorded in 2005, Smith was angry at the way the album was handled during the
recording. “Ang musika ng isang mang-aawit ay dapat puro. Hindi nahahaluan ng
mga hirit ng mga tao na ang layunin ay kumita ng pera. Eh kung ganun (throws in
an expletive) sila na lang mag-record ng album nila.” He spits out his anger
with the venom of an angry rebel a third of his age.
“Hindi ba kaya ka na-sign sa
kontrata dahil sa music mo? So bakit papalitan?”
Smith takes a swig at his bottle
of beer then wipes his mouth. He holds his peace for a few minutes. Whether it
is to compose himself or to steel himself, we aren’t sure. Then he shifts
gears, “I have one more record left in me,” he declares. “Another decade’s
worth of stories to tell. Marami nangyari nitong huling dekada.”
Smith says he hopes that the
conditions are right for a new record. That he has the freedom to write and
record the music he wants. When informed that the independent music scene is
thriving, his eyes light up.
The days of riding with the Juan
dela Cruz Band are long gone. It has been 12 years since his last record (the aforementioned
“Idiosyncrasies”). “That’s like one record per decade,” he notes including his
four-album release with the Juan dela Cruz Band. So I know I have one more rock
and roll story in me.”
“Pepe? Where’s Pepe?” bellows
Magoo from inside Handlebar. Maria Cafra’s set is done. Smith is on deck.
And Joey “Pepe” Smith finishes
his beer, shrugs, then offers everyone one of those goofy smiles of his. He
pauses for one, two more selfies with fans then enters like a rock and roll
conqueror. The Handlebar crowd cheers.
The showstopper, the rock and the
roller, the rebel for a cause, and the icon, strides back in. But not before
leaving me with a parting shot. “I got one more in me.”
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