Anatomy of Humanidad according to Dong
Abay
by rick olivares
Welcome to Humanidad, the new album from Dong Abay or the Dong Abay Music
Organization (D.A.M.O. for short). It’s trademark Abay -- fourteen songs about
life written with bite, sardonic wit, and dollops of passion that fuels a
sacred fire for one of the most talented and respected musicians of his
generation.
It’s a great album. And maybe in
due time, it might very well rank up there with the first Yano album for its
treasure trove of hummable and great songs that scream, “classic” from bombastic
intro of the first song, “Oligarkiya”. And it is also a progression of the man
as an artist.
Now here’s why…
Like Yano, Humanidad drips with Abay’s life as a student at the
University of the Philippines.
Like their contemporaries, the Eraserheads,
Yano and Abay’s music were filled with ditties about life at the University of
the Philippines where they all went for college. While in Diliman, Abay’s professors
made a massive and lasting impression on him that he got drunk on life and
devoured books and teachings. And Abay says that to this day, he is a student
of life.
In Yano’s self-titled debut,
there was “State U”, “Iskolar ng Bayan”, and “Coño Ka Pre”.
On the new album, three songs
were largely influenced by readings from those college days. The song
“Vulgares” which was written in 1991, was adapted from the Spanish poem, “Vivir”.
“Dasal” was likewise adapted from a story by Mark Twain that he read while in
college. And “Bahaghari” was inspired by poetry from poet, screenwriter, and
journalist, Pete Lacaba.
“I majored in Humanities and if
you add everything that I have learned from the people I met and studied under
in UP, I am the sum of that,” said Abay. “I thought the word ‘Humanidad’ was
magical. And it’s perfect for the new album.
Like Yano, Humanidad drips with Abay’s life as a student at the
University of the Philippines and features an ideal 14 songs.
If you’re counting, it’s his
seventh album -- counting the releases with Yano and Pan - that spans 24 years
of being a musician. But according to Abay, he has only four. The rest being
demos or samplers. “Para sa akin,” he explained. “Ang album ay dapat 14 songs.”
If that is so, then his only
14-track albums lists the Yano debut, Pan’s Parnaso ng Payaso, his solo Filipino
Album, and now, Humanidad.
No, there’s isn’t any Feng Shui
to this numbering. “It’s just me,” he simply explained. “It’s perfect.”
If you care to notice, Humanidad
doesn’t say “Dong Abay” but “Dong Abay Music Organization”. D.A.M.O. for short.
Laugh if you will but rest
assured, the album is no laughing matter. The album is performed by four men.
Abay might have written the words or even thought of the melody, but they were
given life by Kakoy Legaspi (guitars, vocals), Simon Tan (bass and vocals), and
Abe Billano (drums and vocals). They aren’t back-up musicians or sidemen. They
are a band. D.A.M.O. is a band. “The original demos are far from the ones on
the album,” pointed out Zalamea.
Abay nodded. “I can play a guitar
as a tool for songwriting,” extrapolated Abay. “But for me, my voice is my
instrument. I cannot multi-task. I can sing but I cannot sing and play the
guitar at the same time. Meron akong pinaghuhugutan sa mga words ko. I have to
concentrate. Malupit naman yung tatlong musikero na kasama ko. Songwriting is
50% of the work. The other musicians give life to it.”
The result is something powerful.
And the sequence of the 14 songs tells a story. At one point, the song
“Oligarkiya” was in the middle of the track listing. But a band vote – told you
it’s a band and not a front man with a bunch of back-ups – all decided that Humanidad lead off with “Oligarkiya”.
“It’s explosive,” pointed out Abay. “It sets the tone.”
And if you know your Dong Abay
history, it completes a trilogy of sorts; diatribes against the government. Yano featured “Trapo”. Parnaso ng Payaso has “Kawatan”. And
now, D.A.M.O. features the angry Oligarkiya” that rails, “Anong demokrasya?
Nagpapatawa ka ba?” You can throw in “Porky” that is another Molotov cocktail
for a song.
Humanidad is 14 songs that weren’t necessarily written a few months
ago. Many of them date all the way to more than a decade ago. But as Abay is
wont to do, he has a “garden” of songs. “I pick them out at the right time to
record as a part of a new album.”
Like Yano, Humanidad drips with Abay’s life as a student at the
University of the Philippines and features an ideal 14 songs of street poetry.
At 46 years of age, Abay has lost
none of that passion, bite or if you will, that sacred fire.
“I take my life and profession as
a songwriter very seriously,” he says. He actually says in a monologue that
last five minutes. It’s obvious that Abay has a lot to say. On the way from his
home in Cainta to Tacio’s in Cubao X where we met along with his manager Elwyn
Zalamea to talk about Humanidad, Dong observed the world around him.
It is where he gets his ideas
from songs. From ordinary everyday people. From situations. From the dangerous
times we live in.
Abay protests the term I hang on
him – a street poet. “I am not worthy,” he reasoned. “Bob Dylan. Paul Simon.
Sila yung street poets.”
Perhaps. But no rock musician –
maybe the early Eraserheads – drew so much inspiration from the world around
them and wrapped them around songs.
On Humanidad, the song “Dakilang Araw” is written from the point of
view of a long distance runner he personally interviewed. “For this runner and
sigurado ako marami rin ganun ang feeling– running is something spiritual. And
under the sun, it’s like their crowning glory,” said Abay.
“Karera ng Mga Daga” came to him
after watching something unfold outside a television station where people were
literally racing rats; an overt reference as well as to the rat race that is
life.
“I am fired up by life. I cannot
lose that fire,” declared Abay. “Ako to, eh.”
Like Yano, Humanidad drips with Abay’s life as a student at the
University of the Philippines and features an ideal 14 songs of street poetry
that while pointed, offer hope.
For all the barbs and social
commentary on Humanidad, the first single
is “Positibo”. It is the 13th track on the album.
It is an answer to a fan who once
asked him, “May pagasa pa ba Pilipinas sa mga nangyayari sa Lipunan?”
“Of course,” enthused Abay. “Kaya
nga meron kasabihan na ‘while there is life there is hope’. Kung sa tingin mo
ala nang pag-asa, ano yung point ng buhay?”
Abay says that recording the
vocals to “Positibo” required several takes. “Gusto ko damang dama ko yung saya
ng pagkanta ng isang mensahe na positibo.”
Abay shows off his arm that has a
tattoo that reads: “May pag-asa”.
It’s his mantra. And after multiple
listenings to this darn good album, Humanidad,
it might be yours too.
For information on where you can
purchase a copy of D.A.M.O.’s Humanidad, look up Elwyn Zalamea or D.A.M.O. on
Facebook.
