The trouble with the curve: One of indie
music’s best kept secrets, Dystocia Curve, is on deck for another at-bat.
by rick olivares
Our new album is going to be
titled, “Gardenero,” shared Dystocia Curve lead singer Bong Banal. “Para sa mga
nagtatanim ng sama ng loob.”
The other members of the band –
guitarists Archie Verano and Gerald Agapay, and Banal’s wife, Mads, who plays
keyboards and sings as well – let out a nervous laugh. It is said that jokes
are funny because they are partially true. And it seems even more ironic how
the band’s career has mimicked its name (the term ‘Dystocia Curve’ refers to a
chart that is used to determine hard labor during childbirth).
Eight years in and two albums in
– well, four because the debut album
Complex Disorders of Adult Life encompassed three volumes and a total of 36
songs – the members of Dystocia Curve aren’t exactly laughing.
The band has struggled in terms
of well… recognition or even sales. “We knew it wasn’t going to be easy but
with Bong’s really good songs, us gigging non-stop, we thought we’d find some
form of success. Maybe not stardom but something to make everything
worthwhile,” admitted Verano. “But that wasn’t the case.”
Dystocia Curve formed in 2004
after Banal thought that he’d try his hand at songwriting after his one-man art
show. “I essentially wrote songs about life’s concerns; my problems, problems
that people – who I personally know -- go through.”
Those songs formed Complex Disorders of Adult Life, the
box set describes, are ”36 songs of love, loss, and life”. It was a product of
abundant passion and emotion; a deep belief in the power of music to express
one’s self. The songs were about heartaches, weakness, sins, unfaithfulness,
romance and sex, midlife crisis, failing people, and having no direction.
Bong’s earnest vocals were pained and cut like a knife. And despite
crisscrossing with the gossamer voice of Mads, if you listen closely, it’s
intense and leaves you in a state of mush by album’s end.
That trilogy of albums reminded
one of American indie pop band, The Magnetic Fields, that released a
three-album opus titled 69 Love Songs
that was celebrated by music critics for its unique takes on age-old clichés
while providing off-beat and lush instrumentation.
Dystocia Curve is the same in
concept and spirit but is closer to Yano minus the biting sarcasm. It was an
album about coming to terms with failure in love and the promise of something
new. Even the follow up, Metro Love,
that was released in 2014 and featured 13 songs about city life and its myriad
concerns that literally swamp a person, the music was just as introspective,
poignant, and painful.
“At the time of Complex
Disorders, we were still dreaming, still trying, gigging. Songwriter’s Night at
Conspiracy, Club Dredd, Freedom Bar, production nights,” related Bong. “Hindi
namin alam around the time the album came out, nag greatly wane yung CD sales.
Feeling naming after this album, I could retire from my work (in advertising).
We were swinging for the moon….”
“We made a lot of sacrifices. We
had expectations. Then hindi na-meet,” succinctly put in Agapay. “Dati sabi ko,
itong weekend ibibigay ko sa Dystocia Curve. Ngayon, mahirap.”
“Hindi naman ako masyadong
nag-expect kasi meron din naman akong ibang buhay,” bared Mads who is a doctor
by profession. “Yung passion ko sa music hindi tulad sa tatlo. Pero, gusto ko
rin maging ibang buhay. Kaso hindi pala ganun kadali. Ibinigay mo na ang lahat
pero wala. When I was young, I was used to winning. This time, I was
disappointed. It is life-changing; a new experience to me kasi hindi ako
nag-win. Yung sugat Malaki. And because of that, ang hirap mag-dream.”
“Pero now, life moved on. Hindi
naman pala natapos yung mundo,” added Bong.
The band hasn’t performed
together in over a year. The last time they performed it was as a duo; the
Banals performing at Uno Morato while both Archie and Gerald attended to their
new families.
Yet hope springs eternal. There’s
a new album on the horizon. And mayhap, a new approach to a career that has
jaded them to a point. One where their melancholic and poignant songs will
reach a bigger audience. It is a new approach in which they are planning
meticulously like an advertising campaign.
“’Gardenero’ – with a ‘G’ – is 27 new songs,” revealed Bong. “I am
not really saying it’s more of the same, but it’s our collective story from the
past four years.”
The band refuses to place a date
on its release. Instead, the talk now about a different approach to gigging, to
get their music across.
“Ako?” summed up Verano. “I think
we’ve always had good songs. Maybe now, with a different approach people will
get to hear us.”
Maybe this time, they’ll be able
to smack that wicked curve ball that life has pitched to them.
No comments:
Post a Comment