Aussie ska band, the Funaddicts hit
Manila before historic UK tour
by rick olivares
It is close to two in the morning
when Australian ska band the Funaddicts take the 70s Bistro stage in Quezon
City last Monday, November 5, closing out a long evening that spanned nine
bands and six hours.
For the visiting band from Down
Under, it was worth it.
“When I was here last April and I
saw this show that launched Todo Pasa, I told myself that we as the Funaddicts
have to be a part of this scene,” said the Funaddicts’ keyboardist Neil
Roche-Kelly, one of the three remaining original members of this band – the
others are vocalist Chris McKenzie and guitarist Tom Wilson -- that first came
up during the late 1980s.
So the Funaddicts were in town
for a one-night show -- “for the music and brotherhood,” as McKenzie put it –
along with some of the best ska bands in town including Skebeche, Nieghbours,
the Dandimites, and Todo Pasa to name a few.
“It is good to see that ska is
alive and well in Manila,” pointed out Roche-Kelly.
During his earlier trip to the
Philippines, Roche-Kelly connected with Wang Fernando, vocalist for local ska
outfit, Rocketpunch, and himself an independent show producer. And making the
show slowly became a reality.
“We believe it is good to connect
with bands from all over the world,” noted Fernando. “The Funaddicts were
around back then and recorded a memorable song in “Mandela” and it is a great
opportunity for Filipinos to perform alongside them.”
The Australians pronounced
themselves impressed with dub band, Goodleaf, and the rest of the Filipino ska
band line-up. Ska supergroup Todo Pasa, of course, brought the house down with
their infectious energy.
The Funaddicts first came up in
the late 1980s and released a seven-inch single with the song, “Mandela,” which
is different from the song, “Free Nelson Mandela” that was written and
performed by British ska band, the Specials in 1984.
“It was a different time and we
really were pushing for racial tolerance,” underscored McKenzie. “Coming back
now, the scene cannot get any smaller now. It can only get bigger.”
“We know about the ska scene here
in Manila from Put3ska in the 1990s and to what it is today. And I have to say,
the local scene is brilliant,” enthused Roche-Kelly. “We are happy to be a part
of it even if a teeny-tiny bit.”
Like the Two-Tone scene in
Britain that began in 1979 but petered out by the mid-1980s, the one in
Australia also eventually faded. That is until legendary British band, Bad
Manners toured Down Under several years ago with Roche-Kelly being invited by
no less than Buster Bloodvessel to play with the band.
“We all had this reunion at the
Bad Manners show and that how we all got back together,” described Roche-Kelly
of the fortuitous reuniting of the Funaddicts.
Since they reunited after that
show, the Funaddicts wasted no times in releasing two albums. The Turn Out
features “Mandela” and other tracks and demos recorded during their formative
years. What’s the Rush, released in 2017, featured entirely new songs.
Now, the band is in Manila… as
its tour opener before they hit England for at least six shows where they will perform
with the Specials’ Roddy Radiation as they guest guitarist (Wilson couldn’t
make it to the tour) in some huge and popular ska and reggae festivals.
Radiation (born Roderick James Byers) wrote the Specials’ classics “Concrete
Jungle,” “Rat Race,” and “Hey, Little Rich Girl” to name a few helping out main
tunesmith Jerry Dammers.
“You bet this is all part of our
Bucket List,” said Roche-Kelly. “Manila and then England. And with Roddy
Radiation performing several shows with us.”
“We’re having a bigger blast than
we ever did the first time around,” summed up McKenzie the night before the big
Manila show (that saw a packed 70s Bistro) when the band rehearsed at Rockman
Studios in Pasig. “This whole tour is something on our Bucket List. We will get
to meet a lot of new people. Network. See what opportunities may arise. If we
can do something with the Manila bands, that would be fabulous. We plan to do
some recording after this. Everything is about living the dream.”
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