Aussie punk rockers Blind Man Death
Stare rock Manila
by rick olivares
“We need everyone to get off
their chairs and to stand up,” exhorted Parker, drummer and lead singer for Blind
Man Death Stare, an Australian punk rock band making its initial foray outside
the Oceania zone with Manila as their first ever stop. "We're gonna be having loads of fun beginning now."
It was Friday the 13th.
Friday payday with a tropical depression submerging the metropolis with its
seemingly non-stop rains. Yet at the Dark Side Bar along Nakpil Street in
Malate, Manila. Parker, along with guitarists Joel Parnell and Mitch, and
bassist Immi were cooking up a different storm.
Blind Man Death Stare kicked-off
their 40-minute long set with a raucous rocker, “IV Phones”, the fourth track
from their recently release full length debut, It’ll Grow On Ya, and it the
band’s pointed take on how technology and social media has ironically
disconnected people from one another instead of fostering real relationships.
Despite the crowd not really
knowing the band’s songs, the energy the Melbourne-based punks expended had
most folks moshing and thrashing about. Folks were in a dancing mood that some
of them clambered up on stage and accidentally knocked down Joel and Immi who
didn’t stop playing at all.
‘Wow!” exclaimed Joel to no one
in particular after the song and despite a tense moment when some beer got
nearly splashed on a few effects pedals. “Let’s go.”
The road to the Philippines and
the rest of Southeast Asia was hatched back in Blind Man Death Stare’s native
Australia. Influenced by Lagwagon, Rancid, Bad Religion, NOFX, and other 1990s
American punk bands, the band felt that punk rock was a way to communicate
their thoughts and outlook on life. “We aren’t the nihilistic sort,” added
Parker who is also the band’s principal songwriter and frontman. “We have our
views on the world around us and we will say what we think we should say. But
life is hard and too serious enough as it is so we make sure there’s this
element of fun. We want people to like our songs and to mosh. We don’t get off
on people moping to doom messages.”
That’s evident on songs like the
album’s first single, “Spike My Drink But Don’t Take My Kidneys” that smacks of
the fun of Reel Big Fish but is deadly serious. “Have we seen enough slasher
flicks,” cracks Mitch.
The song “I’ve Had Islamabad Day”
may be a pun but it is a pointed barb against how wars are also caused by
religion and intolerance.
How does punk rock and a band
from Down Under for the matter, get such messages across?
“We’re no community leaders, politician or some rich man who could get the
attention that comes with that,” explained Joel. “With music – we have a
chance, mate. We hope that people like our songs and when they do, they get
into the lyrics and if that gets them thinking then it’s good, right? And that’s
why our music is available on vinyl and on streaming. Plus, we’re going on the
road.”
“Being in a punk band, well, we
don’t expect to make a ton of money,” clarified Immi.
“Otherwise, we’d get a real job,”
finished Joel.
“Being in a band, we get to play
and create music – which is what we really want,” added Immi.
When It’ll Grow On Ya rolled off the vinyl pressing plant, the band was very much pleased. “I never had a record before,” admitted Joel. “This is a cool moment. Is this for real? It’s like – ‘yeah, now we’re for real.’”
When It’ll Grow On Ya rolled off the vinyl pressing plant, the band was very much pleased. “I never had a record before,” admitted Joel. “This is a cool moment. Is this for real? It’s like – ‘yeah, now we’re for real.’”
“I thought of my heroes,” reflected
Parker. “NOFX, Bad Religion, Rancid, Lagwagon, the Ramones, the Offspring – and
this is for them. And of course for me and my mates. I just hope that the fans
like it and it stacks up well against any punk rock record.”
“One of the cool things too is we
get to travel and meet people who learn about us and our music. And the travel
is fun.”
The band paid their own airfare
for their three-nation tour with Manila as the initial touchdown point to be followed
by Malaysia then Indonesia (Japan was also on the stop list but was cancelled
at the last moment). However, once on-ground, the local promoter takes care of
everything else. The band was to play in Cebu (Saturday) and Bacolod (Sunday)
before moving on.
The band arrived in Manila at
4:30 Friday morning and by late afternoon, they felt somewhat jetlagged. The
arrived early at the venue as their hotel was just around the corner. As the
rain came pouring down, the band huddled outside the Dark Side Bar and shared a
cigarette.
“I haven’t slept in two days but
I am ready for this,” said Immi a few hours before the band took the stage. “The
rain isn’t going to dampen the show one bit. I’m here to check out the local
bands and am ready to rock.”
True enough, Blind Man Death
Stare rocked the house. The result was 40 minutes of a show that at times
reminded one of a good-time frat party with local punks and a pair of game
Caucasian female fans who walked in (along with a couple of Nepalese citizens
who have made Manila their home) moshing.
Dark Side Bar set list:
IV Phones
Spike My Drink But Don't Take My Kidneys
Bottles Warm
I Have A Sex Addiction
Solid As Is Hollow
David & Goliath
Bathtub Fiasco (the only one not on the album)
Lost the Plot
Tinnitus
Old People Should Grow Up
I Can See the Way You Look at My Mum
Double Trouble
Impromptu Holiday
Dark Side Bar set list:
IV Phones
Spike My Drink But Don't Take My Kidneys
Bottles Warm
I Have A Sex Addiction
Solid As Is Hollow
David & Goliath
Bathtub Fiasco (the only one not on the album)
Lost the Plot
Tinnitus
Old People Should Grow Up
I Can See the Way You Look at My Mum
Double Trouble
Impromptu Holiday
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