The indie rock supergroup that isn’t,
Prank Sinatra, will release their greatest hits this year (or something like
that)
by rick olivares
Indie rockers Prank Sinatra ended
2017 with a bang by closing the final show of Sugar Hiccup with a raucous set
that nearly stole the show and perhaps came away having converted a few
shoegazer fans. Now they open 2018 with the announcement that perhaps one of
the most fun bands you might have not heard of will be releasing a “greatest
hits” album on vinyl.
Unless you’re a habitue of the
local rock clubs, you might have not heard of Prank Sinatra. However, when you
find out that their line-up is as close to an indie superband, then you should
pay attention.
Prank Sinatra’s leader, lead
vocalist, and guitarist is Iman Leonardo who is the last bassist for Sugar
Hiccup and formerly of local Goth Rock pioneers, Dominion. On drums is former
Sugar Hiccup multi-instrumentalist Czandro Pollack. Rivermaya, Daydream Cycle,
and Japsuki’s Japs Sergio plays the guitar. His brother, Dok, who also plays
the bass Pupil, Teeth, and Daydream Cycle is on board, and Ryan Goan, who also
plays with Ely Buendia, is on keyboards.
Japs Sergio, digresses: “Puwera
BS, I don’t really think of Prank Sinatra as a superband. I’ve always looked at
it as Iman’s band and friends with similar musical tastes. Completing the
line-up.”
The disagreeing doesn’t end
there.
“I hate the name Prank Sinatra,”
declares Leonardo over a later merienda of French fries and beer at Chef’s
Garage in Cubao X. “It was by accident and I needed a band name. My neighbor
loves Frank Sinatra and it was just a joke. The name has no meaning. Kesyo
naman ang pangalan namin ay, ‘Iman Leonardo’. Lalo na walang dating.”
I started a joke… that had the
whole world laughing….
Leonardo laughs at my cribbing an
old Bee Gees’ song.
The days of wearing eyeliner and
make up with performing with Dominion are over. Leonardo has instead created
his own music to his own beat; a free form of rock much like one of his musical
inspirations Frank Zappa. “Although I am a Zappa fan, you will not find any
traces of his playing styles in my songs,” says Iman.
The late American rocker’s music
was characterized by non-conformity, sound experiments, and satire.
Witness the song titles: “I Lost
My Plectrum”, “These Fingers Can’t Seem to Brighten Up My Day”, “Hooked on
Gobbledygook”, and “It’s All Right If It’s Gone All Wrong”.
“I write songs the way I feel. If
I want to play a chord here that doesn’t seem right, I have to find a way to
make it sound right. Does that make sense,” Leonardo asks.
Apparently, because that is why
Dok Sergio joined as he liked the songs. That is why Leonardo has buyers of
Prank Sinatra’s albums from as far away as Europe.
Are these buyers from Europe –
Filipino or not?
“Who cares,” Leonardo says
throwing his hands up in the air. “They can be from Africa or wherever. As long
as they buy and like our music, I like them.”
Prank Sinatra has released four
albums – The F Defect (2005), Footlong Players (2006), The “Peel” Sessions
(2008 with its Velvet Underground cover inspiration as well as late British DJ
John Peel), and Get Outta My Way (2015).
The plan now is to release an
album of songs the general public hasn’t mostly heard, to re-record them, or to
record entirely new songs with the band’s current line-up. The band has never
been complete for the discography thus far. Some perform on some albums, but
not all.
“Before it was just kung sino
available, but now, we’re available,” declares Leonardo. “It would be great to
share a record with these talented musicians.”
The new line-up is interesting
because Japs and Czandro are commonly associated with the shoegaze and dream
pop genre. “Actually, kaya ko na-tripan yung music ng Prank, it’s because of
the music I listen to as well as the psychedelic side from Pink Floyd to Syd
Barrett. When Dok asked me if I wanted to play guitar for the band, I
immediately said yes.”
“Regarding Prank, it’s better
listened to in the perspective of depth,” chimes in Pollack.
The result is a livewire
performance that has the sensibility and zaniness of an early Weezer or even
Beastie Boys. They even dress the part as well such as the show with Sugar
Hiccup where in everyone wore the same blue stripes collarless shirt that had
the feel of a bizarro Clockwork Orange.
The time frame for the “greatest
hits” -- or “new album of hits many people will not get to hear except in
Germany” as Leonardo put – it sometime before the Christmas season. “This
album,” he sums up, “is my Christmas gift to myself.”
Let the cackling begin.
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